I worked for 12 years as an editor. My specialty was developmental editing, meaning I helped authors with big-picture stuff. In fiction, that meant critiquing and workshopping story beats, character development, plot, continuity, themes, and literary devices, as well as the author's style and technique. In non-fiction, that meant fact-checking, research, going through interviews and data, developing the author's thesis and arguments, and more.
There was just something so magical about the whole process... imagine you meet this person who is working on this little stick figure sketch. And it's just stick figures, but you can see that this means something to the artist; it's something deeply special and personal to them, and you can tell they have the dedication to become a great artist someday.
So every day you coach them and teach them, polish up their technique, and then after a while they've made this masterpiece, and it's beautiful, and it's everything they wanted it to be, and this artist is just so happy that they've made it! And maybe they won't be like... Van Gogh famous or anything, maybe they don't make a million dollars, maybe they don't even make a hundred, but they've done something amazing - with their own two human hands! - and they're proud, and you get to be proud of them because you were a part of it.
That's what it feels like.
A lot of the clients I worked with, they had no one to share their work with. They didn't talk about it with their friends or family. It was all just a bunch of ideas in their head that they were trying to translate to text. And then I'd talk to them about their work, and they would be so passionate and excited, and their passion was always so infectious. They'd get so hyped up about their work, and I got hyped up with them.
It's hard to explain the joy that you feel from being around passionate, creative people. Being a part of their journey. You just soak in all that energy, and it makes you feel alive. Because these aren't just ideas in random people's heads, being an editor meant I got to watch all these stories become real, tangible things I could actually hold in my hands!
Truth be told, I moved on from that career path because I had a family and freelancing just wasn't stable enough to support them. Some months you do good, but others you don't, and I needed something that was more reliable and consistent because I have people who depend on me now. The industry can be pretty cut-throat, and you're competing with an endless, faceless army of scammers who prey on new authors.
I keep up with trends in the industry, and it makes me sad, truth be told. From the moment you start to take your writing career seriously, you are assailed by scammers - from phony editors and cover artists to scummy vanity publishers to slimeball "social media managers," and promoters and advertisers. So much of the industry is designed to take advantage of creative people and leave them penniless and unfulfilled, and with AI now it's gotten even worse.
I always tried to be the person I would want in my corner if I needed it. I hope I don't sound conceited when I say I feel like when I was an editor I got to make a real, meaningful difference for people.
Authors - all creative people, really - just need someone who believes in them. Their stories are cool, fun, interesting, and special. I've had more fun going through amateur manuscripts with offensive grammar than I ever have reading bestsellers. Stephen King is great, but when you finish something like It, you don't get to, like... hang out with him on Discord and help him work out his next book.
In another life, I would have done this till the day I died.